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Home»Web 3»Hollywood needs Web3, not the other way around
Web 3

Hollywood needs Web3, not the other way around

2023-06-03No Comments4 Mins Read
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The following is a guest post from Andrea Berry, Head of Business Development at Theta.

In the glittering world of Hollywood, the convergence of technological innovation and creative imagination has been a founding principle from the very beginning. Known for captivating audiences around the world, the industry has gradually evolved – from silent movies to sound, black and white to color, and now from the physical to the digital.

As we stand on the cusp of another major evolution, Web3 presents a technological novelty and a fundamental shift in the way we create, distribute and consume content. This shift not only provides Hollywood with another tool to use in its ongoing mission to captivate and entertain. Yet it challenges the hierarchies and gatekeeper structures that the industry has relied on for decades.

Admittedly, embracing Web3 is a complex task and the implications are broad and multifaceted. But Hollywood’s storied past is testament to its ability to adapt, innovate and thrive in the midst of change. As the digital revolution accelerates and the demand for more inclusive, diverse and interactive content grows, Web3’s promise could be the next big blockbuster in Hollywood history.

In this context, the question is not whether Hollywood is ready to welcome Web3, but whether it can afford not to?

A new business model

The Hollywood industry is in turbulent waters. Traditional revenue models are under threat from several sources: the advent of streaming services, audience fragmentation, and economic pressures exacerbated by the COVID-19 pandemic, to name a few. These challenges have forced the industry to rethink, adapt and adapt its approach to remain relevant and profitable.

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Typically, Hollywood was controlled by a handful of powerhouses, who had exclusive authority to greenlight projects, determine their distribution, and pocket the lion’s share of the profits.

The relationship between fans and creators is usually a one-way street. Fans are consumers who passively receive content. This centralized model left many talented makers and innovative ideas in the dust as gatekeepers stuck to tried and true formulas and shied away from risk.

Web3 has ushered in a new era where fans are not just passive consumers, but active participants as well. Through token ownership, fans can directly influence and interact with their beloved franchises.

Toonstar’s recent venture, the NFT-backed animated television show “Space Junk,” is an example of this innovative new entertainment approach. NFT holders are involved in the intellectual property (IP) of the project by building the show’s story, creating characters and participating in token holder-only experiences.

Owning NFT tokens isn’t just a digital badge of honor for fans; it’s a way for creators to discover innovative ways to monetize. This model offers a unique value proposition for fans and opens additional revenue streams for creators. The intimate “feedback loop” forged by token ownership reduces the risk of failed projects as creators gain valuable insight into audience preferences. This makes it easier to navigate the creative landscape, understand what fans love and hate, ultimately increasing their chances of success.

Personalize the content

Yet there is a significant shift taking place in the entertainment consumption landscape, one that Web3 is uniquely positioned to address. Consumers, especially the younger, digital-native demographic, are not content to sit back and consume what is served. They desire, and are increasingly demanding, a more interactive, personalized and immersive experience.

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Web3 isn’t just about introducing a new technology to the Hollywood toolkit; it’s about using that technology to fundamentally reshape the relationship between creators, consumers and content.

Hollywood is benefiting significantly from integrating Web3 into its business by moving from a one-size-fits-all content production and distribution model to a more interactive, personalized and consumer-driven model, creating innovative monetization opportunities and involving fans.

This shift to Web3 isn’t about Hollywood trying to cling to its storied past; instead, we should see it as the industry securing its future. Change is a constant and has been very prominent in the entertainment industry. Through it all, the industry has shown a remarkable ability to adapt and evolve, to take the latest technology of the day and use it to captivate audiences around the world. Today that technology is Web3, and once again Hollywood is at the crossroads of change.

But for this shift to be meaningful and sustainable, the industry must fully embrace it. It is not enough to apply Web3 technologies; they must be willing to listen and adapt to the evolving preferences of their audience. Web3’s promise lies not only in its technological novelty, but also in its ability to bridge the gap between creators and consumers to enable a more interactive, engaging and personalized entertainment experience.

Hollywood needs to heed this call more than ever.

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