On October 10, Christie’s London will host an auction for “Ascend” – a 1-of-1 piece of dynamic digital artwork inscribed on Bitcoin’s Ordinals protocol – during its Post-War and Contemporary Art Day Sale. It will be the only digital artwork in the sale.
This event marks the first-ever Bitcoin Ordinal to appear at a live auction at Christie’s, bridging the gap between the traditional and digital art worlds.
‘Take off’ is part of ‘The wilderness within” project created by artists Ryan Koopmans And Alice Wexell. The series breathes new life into architectural ruins through a digital medium, combining photography with advanced 3D techniques to breathe new life into abandoned spaces.
The piece captures the decaying beauty of the Iveria Sanatorium in Tskaltubo, Georgia, once a famous health destination in the Soviet era. The structure, built between 1952 and 1962, has since fallen into disrepair and provides a moving backdrop for Koopmans and Wexell’s artistic explorations.
I am very pleased to announce that ‘Ascend’, our 1 to 1 dynamic inscription, is at the Post-War & Contemporary Art Day Sale at Christie’s in London.
When: Open for bidding now, Live Sale on October 10, 2024 at 10am EST / 3pm BST
Where: Christie’s London, 8 King Street… https://t.co/R8FLvDEl3M pic.twitter.com/bL0Dsf3XO7
— Ryan Koopmans (@ryankoopmans) September 26, 2024
The sanitarium’s lobby, now crumbling and overtaken by nature, serves as the focal point of the artwork. Through their artistic vision, Koopmans and Wexell inject a surreal mix of past and future, nature and architecture.
What further states”To rise” What is special is its dynamic character. The piece, which is inscribed on the Bitcoin blockchain using the NFT-like Ordinals protocol, switches between day and night modes and reflects the real time at the real architectural site in Georgia through a 30-minute transition process.
This is made possible by innovative recursion coding developed by the team of Register Atlantisallowing the digital artifact to change in real time. The encryption references the Bitcoin clock, allowing the artwork to reflect the passage of time in its original physical location.
Koopmans, who had previously only hit Ethereum before 2024, told Declutter that Bitcoin has been a game-changer for digital artists.
“Ascend” by Ryan Koopmans and Alice Wexell. Image: Koopmans/Wexell
“It allows the creation of larger works of art through multiple inscriptions,” he said. “Ordinals, which function as digital artifacts on the Bitcoin blockchain, resonate with our goal of preserving the subject (deteriorating architectural ruins) and the art itself in a permanent, unchanging form.”
This element represents a major innovation in the world of digital art and demonstrates Bitcoin’s potential as a medium for complex, evolving works of art.
Recursion in Ordinals is a technique that allows artists to overcome the file size limitations inherent in writing data to the Bitcoin blockchain. Because each inscription has a maximum size limit, creating larger and more complex works of art requires a method of joining multiple smaller inscriptions together to work together.
“Recursion allows us to do just that by allowing one inscription to reference and incorporate others,” Koopmans explains. “This means we can build a comprehensive work of art by sewing together several individual pieces that are all engraved into the chain.”
Alice Wexell and Ryan Koopmans. Image: Koopmans/Wexell
“Dynamic coding enhances this process by introducing interactive or evolving elements into the artwork,” he continued. “By embedding code in these inscriptions, we can create pieces that respond to user interactions or change over time based on certain conditions.”
He adds that “To rise” was subscribed to a satoshi mined on March 24, 2021 – the same day he minted the first piece of ‘The Wild Within’ on Ethereum, which he said created ‘a meaningful connection between these two blockchains’.
“By working with the talented developers at Inscribe Atlantis, we were able to create a work of art that is both bespoke, true to our artistic vision, and the first of its kind in several respects,” said Koopmans.
“Subscribing to Bitcoin is a fantastic tool for recording provenance and preserving the longevity of artworks on chain,” he continued. “Yet the visual and conceptual creation of the artwork itself remains of great importance and should not be overshadowed by the technical aspects.”
While “To rise” lives on the Bitcoin blockchain, a physical print of the artwork will also be available to the winning collector in one of three formats.
This auction at Christie’s is a milestone not only for Koopmans and Wexell, but also for the wider acceptance of Ordinals as a new digital art medium, especially in the visual arts space.
Traditionally, Bitcoin has been known for its financial applications, but the arrival of Ordinals has opened up new possibilities for preserving digital art in an immutable, decentralized form. And the recursion technique has broken down some of the initial barriers around subscribing to Bitcoin, making more complex works like this possible.
“Bitcoin itself is exceptional,” Koopmans said. “Reaching new audiences is essential for any artist, and the Bitcoin art community is incredibly welcoming, supportive and enthusiastic.”
Edited by Andrew Hayward
